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Alfred Hitchcock
As a cinematographer, I see Alfred Hitchcock as one of the most influential people in the history of the silver screen. My synopsis of his films, however,
will be through the eyes of a young man that has witnessed tragedy. I could sit and rant and rave about
how Hitchcock was a great director, his films were awesome, etc., but I’ll spare you of that.
I would much rather discuss the attack, but since I must write this paper about his cinema work,
I’ll try and compare the two movies we watched to the situation. I’ll start first with Rear Window.
Rear Window is a film that deals not only with the human instinct of voyeurism, but also with the sheer
animalistic sadism that can be found deep within our natures. Rear Window demonstrated both of these observances,
by showing most of the film through the eyes of a innocent bystander, an injured man who was simply trying to pass
the time.
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